![]() On "The Man," Swift imagines what life would be like for her if she were a man and if misogyny and sexism were a non-issue. That's especially true for women in the public eye-something Swift has encountered firsthand. Women are often slut-shamed for dating or hooking up with anyone who isn't their significant other. Marked by euphoric allusions to keeping her romance (likely with Joe Alwyn) under wraps, there's still an air of desire that runs through the song, as Swift notes the physical attraction she has to him, as well as the emotional connection she's experiencing: "It's new, the shape of your body/ It's blue, the feeling I've got." "The Man" In case you missed any hidden meanings, below is a primer for all of Lover's references to S-E-X. Now, on Lover, Swift's newest album (and first since Reputation), the singer once again writes lyrics that allude to her intimate experiences. But Swift's move into more mature territory definitely felt a little shocking, an unexpected but not unwelcome revelation. It shouldn't have come as a surprise: At the time of its release, Swift was 27 years old. While the internet debated over which song was about which one of Swift's exes, everyone was able to agree on one thing: Swift was, in fact, an adult, who was singing about adult things. On "Dancing With Our Hands Tied," Swift sang, "You had turned my bed into a sacred oasis," while on "Delicate," she asked, "Do the girls back home touch you like I do?" On ".Ready For It?" she belted, "In the middle of the night, in my dreams/ You should see the things we do, baby." Then, there was "Dress," which is entirely about sex if you read the lyrics: "Carve your name into my bedpost/ 'Cause I don't want you like a best friend/ Only bought this dress so you could take it off." Of course, since it's Swift, the words were much more poetic, romantic. Yes, for the first time embedded in the musician's lyrics were references to getting it on. While love, relationships, and heartbreak had long been a through-line in Swift's work, Reputation added another element to the mix: sex. It’s a lot more mature way of looking at a love that was wonderful until it was terrible, and both people got hurt from it-but one of those people happened to be a songwriter.For longtime Swifties, the release of Taylor Swift's 2017 album Reputation signaled a shift in the pop singer's music. ![]() Nicer than, like, the ranting, crazy e-mails I got from this one dude. It was like going through a photo album.’ That was nice. “He was like, ‘I just listened to the album, and that was a really bittersweet experience for me. “I heard from the guy that most of Red is about,” Swift told the outlet then. ![]() Swift spoke to New York magazine in 2013 though and confirmed the subject of “All Too Well” heard the track. “I would love to not talk about my personal life.” Ultimately, when asked if he wanted to move on, he agreed. When asked if he listened to any of the songs rumored to be about him, he didn't say anything. Gyllenhaal responded, “I think when you’re in a relationship, you are constantly scrutinized, your friends are scrutinized, but.” Gyllenhaal just stared at that point and did an exaggerated shrug. Jonze went on to call asking the question a “mistake” given Gyllenhaaal's answer. ![]() The journalist, Tim Jonze, asked him if he was “playing with fire a little” by dating her given his preference for privacy. In 2017, Gyllenhaal addressed Swift in an interview with The Guardian.
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